Hi-Ground Media choose SGO Mistika

LA, California, USA, 25 March 2011: SGO’s Mistika was used by Hi-Ground Media for the complete post production of the stunning Red Bull 3D action sports documentary, titled Red Bull Rampage 3D: The Evolution. In association with Action 3D Productions, the high-profile programme was directed by Mike McEntire and Wayne Miller and lead by Executive Producer Gregg Katano.

Framestore use Mistika for ingenious LG cinema commercial

London, UK, 18 March 2011: SGO’s Mistika was used by Framestore for all the stereoscopic alignments, depth grading and visual effects compositing for the LG “Rare Butterflies” cinema commercial for LG’s integrated 3D cinema and digital campaign. Directed by Richard Ayoade for Framestore’s digital team, and lead by Executive Producer, Simon Whalley, Framestore conceived, filmed and post produced the high profile campaign for agency Mindshare, to demystify stereoscopic 3D, using humour and interactive elements on the online version.

Portugal’s stereo 3D pioneer, CVisual relies on Mistika

Maia, Portugal, 17 March 2011: Portugal’s stereoscopic 3D pioneer, CVisual, which is a digital animation and VFX post production company, stands out from its competitors, by embracing stereo 3D and providing clients with highly advanced technology and solutions using SGO’s Mistika. As system of choice at CVisual, Mistika’s 2D and stereo 3D capabilities form the foundation of the facility, producing first-rate quality work. CVisual acquired a Mistika system a year ago, which was used to post produce their latest project titled TERATRON – As Cobaias 3D (which means TERATRON – The Guinea Pigs) at CVisual, a 45-minute stereo 3D concert for digital cinema, which was filmed in 4K with the RED Camera.

On Sight takes Mistika Live on set

London, UK, 7 March 2011 – On Sight, production services company specialising in stereo 3D equipment, rental and post production services, has invested in Mistika Live, SGO’s latest innovative development. Mistika Live enables SGO’s powerful stereoscopic and colour correction tools to be taken on-set, to either provide pre-visualisation and preliminary post production settings, or to be used in a live setting. It is the ultimate work station in a stereoscopic 3D shoot environment and an essential on-set tool that enables shooting adjustments in real-time, as well as the creation of dailies, media files and editorial.

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