Goya Award goes to Balada Triste de Trompeta (The Last Circus), completed at Molinare Madrid using SGO Mistika for Best Visual Effects
“Mistika was placed at the heart of our production process.”
-Ferran Piquer, Digital Cinema Manager, Molinare, Madrid.
Madrid, Spain, 14 February 2010 –
SGO is proud to reveal that one of their key Madrid-based customers Molinare has recently post produced an award-winning film using Mistika. The film titled Balada Triste de Trompeta, which translates as The Last Circus in English, has been awarded the coveted Goya Award for the Best Visual Effects in the 25th edition of the Goya Awards. Balada Triste de Trompeta has also received the Silver Lion and Osella Awards for best direction and screenplay by highly acclaimed Spanish film director, Alex de la Iglesia at the 67th Venice Film Festival this year.
The film is about two clowns, Sergio (Antonio de la Torre) and Javier (Carlos Areces) that fall in love with the same woman, Natalia (Carolina Bang), a trapeze artist. The story is depicted over two time periods, the Spanish Civil War and the 70’s.
Tornasol Film Productions produced the film and all post production was completed at Molinare with Ferran Piquer as supervisor using Mistika throughout. Colour grading and DI work was achieved by Jorge Hernandez, Juan Ignacio Cabrera and other VFX artists, namely Oscar Perea and the conforming editor was Marta Lucendo, using SGO’s Mistika post production system.
“With more than 600-hundred effects shots and material, that was captured in five different formats, together with different archive image sequences, Mistika was placed at the heart of our production process. Mistika’s powerful performance allowed us to fine-tune VFX integration into the film, saving a lot of precious time in modifications, transfers and re-conforming.” Explained Ferran Piquer, Digital Cinema Manager, Molinare, Madrid.
One of the Mistika VFX Artists at Molinare, Juan Ignacio Cabrera added: “The speed and flexibility that Mistika delivered, was crucial to be able to deliver on time, due to the extremely tight deadline. Mistika’s colour grading is so robust, and the system handled 24-hours of work for three solid weeks without a problem.” Juan also presented the Mistika system at a live presentation at IBC last year at the SGO stand, attracting crowds eager to witness the Mistika post system in action at the Amsterdam-based technology trade show.
For further information, please visit www.tornasolfilms.com and the director’s blog, Alex de la Iglesia at http://baladatristedetrompeta.blogspot.com/
Please visit the website at: http://www.molinare.es/.
The Mistika post production system is a flexible high-end post production system, capable of SD, HD, 2K, 4K, and stereoscopic 3D with real-time ARRI, RED camera and other native data work-flows. It seamlessly integrates timeline-based editing, conforming, infinite layer compositing, colour grading and image restoration all in one complete system with various toolsets working together in the timeline. Mistika enables live interaction between all functions and accepts almost any image resolution from SD to 4K and beyond, in 2D and 3D.
SGO is a leading European developer of high-end solutions for the post production and broadcast industries and has been distributing and providing system integration and developing solutions for the film and media industries since 1993. Mistika, SGO’s high-end post production system offers a complete solution and industry-leading performance for post production across all genres from advertising, film and TV productions. Customers include Park Road Post Production, BSkyB, Framestore, The Look, OFFHOLLYWOOD, Preditors, On Sight, Chroma Film & TV Hamburg, BTV, ATM, Mighty Horn, Videomedia, Molinare Madrid, Infinia, El Colorado, Thomson Technicolor Madrid, Real Madrid Televisión, PICTORION das werk GmbH and OPTIX Post Production Inc., amongst many others. www.sgo.es