Mistika Post Production
Editing, Colour Grading, Compositing and Effects


A next generation high-end timeline based editing, compositing, and colour grading mastering solution.

Mistika is a High-End finishing system designed to remove limits and allow total freedom to create and manipulate moving images for any format - SD, HDTV, Film, IMAX, multiple projector etc.

Mistika's non-proprietary, open architecture, its intuitive interface and overall system scalability make it the most cost effective choice when you need the power and flexibility to produce and deliver any job in any format.

Mistika is completely configurable in terms of resolution, frame rate, aspect ratio, and interlacing. You can edit and composite in any format and any resolution, on the same timeline in the same project with unlimited layers. All this while retaining the ability to non-destructively modify effects parameters and groupings. Providing an intelligent way of creating templates for complex effects which can be used again in other projects.

It's open architecture allows for integration with 3rd party networks and shared storage solutions. The rendering engine capitalizes on all available power and bandwidth to ensure unparalleled real-time performance, productivity and interactivity. It takes advantage of the onboard graphics hardware acceleration and can utilise additional PC's as clustered rendering engines via the Totem option.
Features at a glance:

SD, HD, Dual-Link, 2K/4K DPX & Cineon

True native RED R3D real time workflow

Integrated Stereoscopic workflow

Real time 4K playback

Dynamic DI and Film Restoration effects


Online Multi-format Editing

Advanced 3D Compositing & Effects with templating

Network rendering for increased performance

A Flexible, Scalable, Unique Mastering solution

Mistika is a High-End finishing system designed to remove traditional limits and allow total freedom to create and manipulate moving images for any format - SD, HDTV, 2k Film, IMAX, multiple projector etc.

Misitika's timeline allows for an infinite number of layers with no dedicated audio, video or effect tracks. Instead editors have the freedom to create an edit or complex composite by stacking multiple layers of clips and effects anywhere in the workspace.

Mistika allows for the non-destructive grouping of clips and effects in a way that helps users organize their projects into manageable pieces. It also provides an intelligent way of creating templates for effects and composites that can be used again in other projects, even at different resolutions.

The Mistika compositing panel uses a tree flow diagram that allows navigation up to any level of the composite. Users can manipulate parameters at any point while seeing the results in real time. Working with this panel users have no need to go back to the timeline.

Mistika provides a complete set of tools, a large range of filters, colour correctors, distortion effects, chroma keyers, vector paint, rotoscoping, morph, warp, title, and many more all as standard. External control interfaces, such as colour grading trackballs, can be used to drive the interface.

All effects in Mistika are combinable, non-destructive and will not require intermediate renders in order to see how they affect each other in complex composite stacks. It fully supports third-party plug-ins based on the OFX standard e.g. Foundry Furnace Suite.

Mistika is completely configurable in terms of resolution, frame rate, aspect ratio, and interlacing. You can edit and composite in any format and resolution on the same timeline while retaining the ability to nondestructively modify effects parameters. Mistika's ability to digitize and colour correct material in native YUV as well as RGB translates into tremendous savings in both disk storage and colour space conversions. In support of Universal Mastering Mistika includes all the necessary conversion tools that will allow clients to finish a project in a master format, such as 2K Film or HD@24P, and deliver in any other standard format such as PAL or NTSC.

Mistika's interface has been designed using well established editing and compositing interface paradigms, as seen in other competing products, without compromising or restricting Mistika's own unique functionality.

Users with experience in other products will have no problems getting their Mistika systems to produce finished projects with only a little practice. Mistika also introduces a proprietary character recognition system called "SCRIBE". It allows users to quickly access common commands and effects using simple strokes and gestures. With time and practice users will find that they can operate Mistika software at great speed with motions and gestures alone!

Mistika“s standard file system allows for full integration and connectivity with 3rd party networks and advanced shared storage solutions like SANs. All format media, such as 2K Film or PAL/NTSC video, can be stored in the same partition that in turn can be accessed by any machine using any operating system (Win2K, WinXP, OSX, etc…) with the correct licence across a standard network.

Mistika can also make use of networked render systems to increase productivity. The "Totem" system uses Linux based machines to increase the overall rendering performance of the front end Mistika workstation. Clips rendered via Totem can be played out even before all the frames are finished.

Given sufficient resources and system bandwidth the Totem rendering systems will allow clients to preview and play out ongoing renders of complex composites in real time. As technology moves forward and faster processors become available clients will find that the Totem cluster rendering engine will revolutionize the concept of working online, in real time, at any resolution! Totem provides a way for your Mistika systems to remain competitive for longer thus reducing the overall system depreciation. Guaranteeing an increased return on your investment.

Using the latest S.A.N. technologies Mistika systems can share media and collaborate on projects whilst maintaining the multiple stream performance of local high speed disk arrays. As an example, while one Mistika system is conforming an EDL, another can be working on a complex composite, while at the same time the Totem cluster can be rending clips in the background - all accessing the same shared storage. No duplicated material, no waiting times for project transfers, just a truly collaborative workflow!

If you would like more information on Mistika please contact us directly. We can discuss any specific details and arrange a personal demonstration at your convenience.

The benefits of Mistika:

Quality

The complete toolset available to create looks,
styles, titles and effects is unrivalled
by any other "single box" post production system.

Speed

The speed at which projects can be graded,
titled and have effects added is unrivalled.
This means that more work can be accomplished in less time.

Efficiency

Less time spent processing and designing
means that projects are completed either faster,
reducing post costs for customers,
or better as more work can be done within the budgeted time.

Time Line Features

Fast full-featured time line based editing
for those last minute online changes.

Instant copy to make alternative versions,
even of full length feature films.

Drag and drop effects and presets
for ultra fast versioning of promos and commercials

Direct use of most common file formats.

Mix any resolution on the same time line
such as SD, HD, 2K and 4K.

Colour Grading Features

Misitka contains advanced, telecine style colour grading designed for use in demanding feature film "digital intermediate" projects.

Controls include Primary, Secondary, Fixed Vector plus 6 Free Vectors that all combined still run at real time even in HD.

The 6 free vectors allow selected areas or "power windows" of colour changes that can be soft-masked and tracked to on-screen objects.

Unlimited Layers Features

Unique unlimited "stacking" system allows one effect to drive the next effect, so that original looks can be easily created and copied.

Layer stacks can be instantly copied to other shots to quickly duplicate effects.

Layers are always "open" so any layer can be changed at any time.

The layers form part of the time line itself, so it's quick and easy for the compositor to re-visit an effect and see or modify how the effect was made.

Other Features

The fastest motion tracking on any system - in excess of 150 frames per second.

Fully featured animating paint system.

3D environment for arranging multiple planes of pictures, including animating camera positions and multiple lights.

Titling that can be animated and use thousands of typefaces. Titles can drive other effects to create an unlimited number of type styles.

Vast array of inbuilt effects, plus the ability to mix any combination of any number of effects together to create an unlimited palette of new looks.

Accepts third party effects for an even greater and growing range.

Specialist tools such as wire and rig removal and advanced shot speed change effects included.

Note: Feature summary provided by Baraka Post Production


Mistika 3D DVE interface.


Mistika Template effects.


Mistika Chroma Key.


Mistika Compositing.


Mistika Timeline stack.


Mistika Colour Correction.


Mistika Dual Monitor Compositing.


Mistika Dual Monitor Colour Grading.


Mistika Dual Monitor Colour Grading.


Mistika Dual Monitor Colour Grading.