Editing, Colour Grading, Compositing and Effects
Mistika is a High-End finishing system designed to remove limits and allow total freedom to create and manipulate moving images for any format - SD, HDTV, Film, IMAX, multiple projector etc.
Mistika's non-proprietary, open architecture, its intuitive interface and overall system scalability make it the most cost effective choice when you need the power and flexibility to produce and deliver any job in any format.
Mistika is completely configurable in terms of resolution, frame rate, aspect ratio, and interlacing. You can edit and composite in any format and any resolution, on the same timeline in the same project with unlimited layers. All this while retaining the ability to non-destructively modify effects parameters and groupings. Providing an intelligent way of creating templates for complex effects which can be used again in other projects.
It's open architecture allows for integration with 3rd party networks and shared storage solutions. The rendering engine capitalizes on all available power and bandwidth to ensure unparalleled real-time performance, productivity and interactivity. It takes advantage of the onboard graphics hardware acceleration and can utilise additional PC's as clustered rendering engines via the Totem option.
SD, HD, Dual-Link, 2K/4K DPX & Cineon
True native RED R3D real time workflow
Integrated Stereoscopic workflow
Real time 4K playback
Dynamic DI and Film Restoration effects
Online Multi-format Editing
Advanced 3D Compositing & Effects with templating
Network rendering for increased performance
A Flexible, Scalable, Unique Mastering solution

Mistika is a
High-End finishing system designed to remove traditional limits
and allow total freedom to create and manipulate moving images
for any format - SD, HDTV, 2k Film, IMAX, multiple projector
etc.
Misitika's timeline allows for an infinite number of layers with
no dedicated audio, video or effect tracks. Instead editors have
the freedom to create an edit or complex composite by stacking
multiple layers of clips and effects anywhere in the workspace.
Mistika allows for the non-destructive grouping of clips and
effects in a way that helps users organize their projects into
manageable pieces. It also provides an intelligent way of
creating templates for effects and composites that can be used
again in other projects, even at different resolutions.
The Mistika compositing panel uses a tree flow diagram that
allows navigation up to any level of the composite. Users can
manipulate parameters at any point while seeing the results in
real time. Working with this panel users have no need to go back
to the timeline.

Mistika provides a complete set of tools, a large range of
filters, colour correctors, distortion effects, chroma keyers,
vector paint, rotoscoping, morph, warp, title, and many more all
as standard. External control interfaces, such as colour grading
trackballs, can be used to drive the interface.
All effects in Mistika are combinable, non-destructive and will
not require intermediate renders in order to see how they affect
each other in complex composite stacks. It fully supports
third-party plug-ins based on the OFX standard e.g. Foundry
Furnace Suite.
Mistika is completely configurable in terms of resolution, frame
rate, aspect ratio, and interlacing. You can edit and composite
in any format and resolution on the same timeline while
retaining the ability to nondestructively modify effects
parameters. Mistika's ability to digitize and colour correct
material in native YUV as well as RGB translates into tremendous
savings in both disk storage and colour space conversions. In
support of Universal Mastering Mistika includes all the
necessary conversion tools that will allow clients to finish a
project in a master format, such as 2K Film or HD@24P, and
deliver in any other standard format such as PAL or NTSC.
Mistika's interface has been designed using well established
editing and compositing interface paradigms, as seen in other
competing products, without compromising or restricting
Mistika's own unique functionality.
Users with experience in other products will have no problems
getting their Mistika systems to produce finished projects with
only a little practice. Mistika also introduces a proprietary
character recognition system called "SCRIBE". It allows users to
quickly access common commands and effects using simple strokes
and gestures. With time and practice users will find that they
can operate Mistika software at great speed with motions and
gestures alone!

Mistika“s standard file system allows for full integration
and connectivity with 3rd party networks and advanced shared
storage solutions like SANs. All format media, such as 2K Film
or PAL/NTSC video, can be stored in the same partition that in
turn can be accessed by any machine using any operating system
(Win2K, WinXP, OSX, etc…) with the correct licence across a
standard network.
Mistika can also make use of networked render systems to
increase productivity. The "Totem" system uses Linux based
machines to increase the overall rendering performance of the
front end Mistika workstation. Clips rendered via Totem can be
played out even before all the frames are finished.
Given sufficient resources and system bandwidth the Totem
rendering systems will allow clients to preview and play out
ongoing renders of complex composites in real time. As
technology moves forward and faster processors become available
clients will find that the Totem cluster rendering engine will
revolutionize the concept of working online, in real time, at
any resolution! Totem provides a way for your Mistika systems to
remain competitive for longer thus reducing the overall system
depreciation. Guaranteeing an increased return on your
investment.
Using the latest S.A.N. technologies Mistika systems can share
media and collaborate on projects whilst maintaining the
multiple stream performance of local high speed disk arrays. As
an example, while one Mistika system is conforming an EDL,
another can be working on a complex composite, while at the same
time the Totem cluster can be rending clips in the background -
all accessing the same shared storage. No duplicated material,
no waiting times for project transfers, just a truly
collaborative workflow!
If you would like more information on Mistika please contact us
directly. We can discuss any specific details and arrange a
personal demonstration at your convenience.
The benefits of Mistika:
Quality
The complete toolset available to create looks,
styles,
titles and effects is unrivalled
by any other "single
box" post production system.
Speed
The speed at which projects can be graded,
titled and
have effects added is unrivalled.
This means that more
work can be accomplished in less time.
Efficiency
Less time spent processing and designing
means that
projects are completed either faster,
reducing post
costs for customers,
or better as more work can be done
within the budgeted time.
Time Line Features
Fast full-featured time line based editing
for those
last minute online changes.
Instant copy to make alternative versions,
even of full
length feature films.
Drag and drop effects and presets
for ultra fast
versioning of promos and commercials
Direct use of most common file formats.
Mix any resolution on the same time line
such as SD, HD,
2K and 4K.
Colour Grading Features
Misitka contains advanced, telecine style colour grading
designed for use in demanding feature film "digital
intermediate" projects.
Controls include Primary, Secondary, Fixed Vector plus 6
Free Vectors that all combined still run at real time even
in HD.
The 6 free vectors allow selected areas or "power windows"
of colour changes that can be soft-masked and tracked to
on-screen objects.
Unlimited Layers Features
Unique unlimited "stacking" system allows one effect to
drive the next effect, so that original looks can be easily
created and copied.
Layer stacks can be instantly copied to other shots to
quickly duplicate effects.
Layers are always "open" so any layer can be changed at any
time.
The layers form part of the time line itself, so it's quick
and easy for the compositor to re-visit an effect and see or
modify how the effect was made.
Other Features
The fastest motion tracking on any system - in excess of
150 frames per second.
Fully featured animating paint system.
3D environment for arranging multiple planes of
pictures, including animating camera positions and
multiple lights.
Titling that can be animated and use thousands of
typefaces. Titles can drive other effects to create an
unlimited number of type styles.
Vast array of inbuilt effects, plus the ability to mix
any combination of any number of effects together to
create an unlimited palette of new looks.
Accepts third party effects for an even greater and
growing range.
Specialist tools such as wire and rig removal and
advanced shot speed change effects included.
Note: Feature summary provided by Baraka Post Production









